Jasmine Mans reflects on the journey that led her to find her purpose through art and a serendipitous door to the cannabis industry.

Jasmine Mans has no need for a Zoom background. She sits in front of her computer near a growing fiddle fig tree, with relics of her ancestral past and personal present behind her.

Behind her are six frames, one which contains a vintage hot comb and another a vintage curling iron. All other frames seem to be time capsules – real and imagined – serving as glimpses of the joy, pain, and strength within the Black experience.

The pieces on her wall are a direct reflection of what moves her.

“The state of blackness, be the joy or the terror, is the first thing I find inspiring – it’s where my accountability lies. When I write, I feel most prone to write about these things. I’m working to find balance because it’s not always about writing everything that happens in the world. It’s about figuring out where your voice is in the larger narrative. I find honor and commitment in this.”

Mans’ year has been an act of stabilizing the scales between life as an artist and businesswoman.

She recently released her visual poem Cycles – an intimate expose’ of the complexities she experienced from her romantic relationship’s end. She’s also been on an interview circuit promoting her most recent book, Black Girl Call Home, and taking her business – Buy Weed From Women – to new heights.

“I don’t want to get so caught up in celebrating all of these really exciting moments and talking to brilliant people, where no one knows that there’s a healing process happening through my work,” she says.

A rising star honoring healing

Mans is a lifelong artist. Raised in Newark, New Jersey, she gravitated toward words and performance. Through words, she expressed her feelings about racism, police violence, coming out, and honoring herself and others.

“Black women – Black queer women don’t often see displays of love. We don’t see queer women, black women navigating spaces that don’t have trauma attached,” Mans’ said. “I want more stories so that girls can have a model of what love looks like.

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When she was in college, Man’s came out to her mother and received little to no support.

“There were all of these moments when I felt both my parents were rejecting the identity I was stepping into,” Mans recalled. “There’s been a lot of pain on my journey. As a writer, my job – especially as a queer woman – is to talk about it.” 

Using cannabis apparel to support women in weed





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